Insomnia.The sleep I'm not sleepingcornered me behind the garden shedand split its knuckleson the sharper edges of myteeth.I think it was tryingto kill the restlessness in me.
Quietly suicidal."Those things'll kill you, you know?""I'm counting on it, sweetheart."
A suicide saved.I found her in the bathtub, once, and as I hauled her out by her shivering arms all I said was"you look beautiful in red."As though a compliment could somehowlighten the mood.
The problem with writing poetry.The problem with writing poetryis that real life doesn't write nice poems.Your budget is not going toinspire anything but stress, perhaps,and the unwashed linen won'tmake hearts soar.To write nice poems, you have to take real life andunrealise it;twist vines into its hair,set its bare feet down on the forestfloor and call it free.
Birthday celebrations.Twenty-three cigarettesat midnight in honour of the years you might have lived,but chose not to.
Haunted.The nightmares are backand they end with your face;always asking why I didn't followwhen you left.
7.I ate your absence for dinner.
Flatline."--evere trauma--"Hushed voices dressed in white twist somewhere far above my head and the bed that isn'tmine."--blood loss, we aren't abl--"My eyes are too heavy,my tongue too thick.I want to tell themthat I'm sinking but not dying, not yet,"--about her family?"but the wind comes in through thewindow, cracked open whisper-thin,and pulls my voice away,away."only survivor, she's--"Beep. Beep."--ragedy really, to di--"Beep."--o young--"Beeeeeeeeeeep.
Table for two.The car-crash-crushof my heartcage fell out ontothe table,bitter blood andlove between the candles."I still love you,"you said, rinsing out the tablecloth,"car crash heart and all."
Feet up on the dashboard.We're driving and I don't know where.I know that once upon a timebeauty and terror happened to me all at once and since that night I haven't been ableto tell the two apart,and I know that your left hand ismore beautiful than your right, but yourright knows how to touch me best.You said,"every mouth I've ever kissedwas practice for you,"and I said,"darling I don't care,I've kissed them too."And you know that what I mean isI've kissed the ashes of their memory fromyour lips and shovelled them from betweenyour teeth with my tongue,that I'd prythem from the back of your throat ifI thought you'd try to hide themback there
If you need me to.This languagemight belong to theworld and hercitizens,but this tongueand these wordsare mine.And if I needto spit endearmentsinto the city'shumble streetsfrom her skystretchingbonesto let youknow,then sobe god damnedit.I will.
Things I'll tell you when you're older.The monstersdon't fit under bedsanymoreand neitherdo we.
-One dayI think I will lookback on my lifeand wonder howI ever found suchweightlessness to bebeautiful.And one day I will look back on my life and wonderwhy I was never looking forward.
Things I'll tell you when you're older (4).There is never a wrongtime to love someone,but sometimes there will bethe wrong someone whowill love you thewrong way.
Mania.You find yourself tiptoeing around the shards of me left on the bathroom floor.(The aftermath of anotherepisode, manic.)I watch;you pick me upand my eyes droop,knowing that tomorrowI'll wake up withyou there.
Uninhibited.I'm half-way drunk andit's raining and I'mnot nearly drunkenough to write thispoem yet but,I figured it wasimportant to tell youthat when I wake upafter nights like this,the foul taste inmy mouth is youand I hate it (you).
Half.There is half a meand half a youand togetherwe make a whole we.And I think that's sick,I think that's sad,I hate that I can't be awhole without you butI guess;there are worse waysto live.
--I've stood on the edge too many timesbut you look at me and you know.You know that the edge is still here,waiting in the curve of my smile.You know that I carry it with me,that it's stuck like gum on my shoe.Only the gum is a small boulderand the weight of it keeps me grounded,chained to the edge of that bridge.
Flight.You jump from a building andyour heart jumps from a building.You almost wonder which will hitthe ground first only Galileo sorted that out for you.(Though you're not entirely surehow you remember that but you can't remember how to love.)Only you do wonder,you wonder and you wonderabout what will happen to youif your heart hits the groundand starts running.
Scars."There are scars here,"she said, and her face saidshe loved them even thoughshe put them there."That's okay,"he said, "I've got my own."And the way he held herwrists, loosely, saidhe loved them too.
Unrequited.I loved her in the quiet waya girl loves a girl who loves a boy;in the shadow of kisses I stolefrom her sleep.She'd stretch out in the sun,long limbs and slanted eyes and I'dbe clenching my fists, remindingmyself that I couldn't,that she wouldn't.And she didn't.
Honestly dishonest.I'd kissed you seventeen times before they tore me away from the coffin.This could be tragically romantic but I'm lying; I wasn't allowed through the chapel doors.
(oh, but I do~)